Category Archives: Reviews

REVIEW: DOCTOR SLEEP is a worthy follow-up to Kubrick’s THE SHINING that enrichens the original while giving us a sequel with a compelling premise.

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Writer/director Mike Flanagan (Hush, Gerald’s Game) successfully tackles the herculean effort of reconciling Stanley Kubrick’s adaptation of THE SHINING with two Stephen King novels and delivers a film that works for fans of the film and books alike. The Shining

REVIEW: PARADISE HILLS aims to be a dark fairytale on the importance of agency and individuality, but loses itself in placing aesthetic over a compelling storyline

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Writer/director Alice Waddington’s PARADISE HILLS boasts lush and imaginative visuals in costume and production design, but the film’s point is lost in its emphasis on style over substance. It’s evident in viewing PARADISE HILLS that Alice Waddington has something to

REVIEW: TERMINATOR: DARK FATE strikes a timely note with a franchise reboot and a twist on a familiar classic.

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While it treads on familiar ground for long-time fans of the franchise, Tim Miller and James Cameron’s reboot of the Terminator franchise takes a wise step in grounding the film with some timely cultural notes. If the tagline “I’ll Be

REVIEW: COUNTDOWN is an surprisingly enjoyable Halloween season popcorn flick that is playfully self-aware of its unwieldy premise.

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At first glance, the premise of Countdown, an app that tells you when you die and supernaturally conspires to make it happen, is somewhat groan-inducing. But despite some flaws, it’s still an enjoyable ride. Countdown, on the surface, comes across

REVIEW: DOLEMITE IS MY NAME is an enjoyable Ed Wood style dive into the world of blaxploitation films with a charismatic performance from Eddie Murphy at its heart.

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Eddie Murphy’s compelling turn as 70’s comedian Rudy Ray Moore is the spark of life at the center of this DISASTER ARTIST inspired dive into the world behind Moore’s persona and the making of 1975’s Dolemite. There’s something alluring about

REVIEW: Bong Joon Ho’s PARASITE is a compelling thriller that focuses on class division

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One of the year’s best films, Parasite evades easy pigeonholing into one genre and remains enthralling from start to finish. The issue of the haves versus the have nots is a theme that rears its head quite often when looking

REVIEW: Inventive and original, JOJO RABBIT showcases Taika Waititi’s unique voice with one of the year’s best films.

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Waititi’s “anti-hate satire” tells a charming and endearing coming of age story with a Calvin and Hobbes flavor, one where Hobbes is a sassy and anachronistic Adolph Hitler, in the final days of occupied Europe in WW2. Before Taika Waititi

ZOMBIELAND: DOUBLE TAP | MOVIE REVIEW

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  While I was excited for a sequel to this zombie comedy, I was cautiously optimistic about it coming together.  Comedy sequels in particular almost never hit the mark and it can be tough after a decade or two for actors

REVIEW: EL CAMINO: A BREAKING BAD MOVIE serves as a fitting capstone to the legacy of Breaking Bad

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Writer/Director Vince Gilligan delivers an epilogue to his classic series Breaking Bad with a feature focusing on Aaron Paul’s Jesse Pinkman that serves as a final visit to what made the series so engrossing. Fans of Breaking Bad were understandably

REVIEW: LUCY IN THE SKY is an intriguing genre mash that examines the existential imprisonment of a life lived too ordinary.

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Writer/Director Noah Hawley makes his feature directorial debut with an engaging existential dark comedy with hints of magical realism reminiscent of the early films of the Coen Brothers. In many ways, Noah Fawley’s directorial debut Lucy in the Sky has

REVIEW: Joker is a true achievement in a cinematic character study that reinvents the comic book film.

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Joaquin Phoenix owns the role of the titular Batman arch-nemesis in a work that pays strong homage to the New Hollywood auteur storytelling of 1970’s Hollywood and reinvents the way that comic book films can be adapted for the big

REVIEW: Satanic Panic slices up a good time in the vein of horror-comedies like Evil Dead 2 and Buffy the Vampire Slayer

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Director Chelsea Stardust’s follow-up to Hulu’s All That We Destroy is a quippy, low-budget throwback to practical 80’s horror effects with engaging female leads. 2019 has been a great year for fun throwback 80’s style-horror films with evil satanic cults

REVIEW: PURE finishes off Hulu’s Into The Dark with a reframing of The Craft through the lense of Christian purity balls.

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Director Hannah McPherson delivers the final entry into Hulu and Blumhouse’s Into The Dark with an entry juxtaposing right-wing Christian fundamentalists with a mish-mash of The Craft and Carrie. Into the Dark, Hulu and Blumhouse’s monthly horror film series has

REVIEW: HAIL SATAN? is an interesting look at the grassroots political beginnings of The Satanic Temple, but borders on hagiography.

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Director Penny Lane’s slickly produced look at the humble beginning and growth of The Satanic Temple is interesting and worth a watch but wanders in looking for a focus and dances on the thin border of being a hagiographic puff

REVIEW: OFFICIAL SECRETS is an engrossing look at the accountability of government and its actions to its citizenry.

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Director Gavin Hood delivers a taught and gripping political drama that raises the question of how far should a government go in justifying actions in service of its allies against the legality of those actions to its people. Ever since

REVIEW: IT CHAPTER TWO serves up a fitting capstone for the IT saga, while shedding a light on the true horrors of the modern world.

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Andy Muschietti’s follow up to 2017’s It brings the Loser’s Club and Pennywise The Dancing Clown 27 years forward into the modern-day while also showcasing that some of the darkest things to fear in the modern world aren’t of the

REVIEW: READY OR NOT serves up originality and subverts tropes in the summer’s best horror film.

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Radio Silence’s latest film is a stylish original horror tale that follows in the vein of films like The Cabin in The Woods, Get Out, You’re Next, and Evil Dead in delivering a unique and subversive genre film that seems

REVIEW: GOOD BOYS is the definitive laugh out loud comedy of the summer.

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Good Boys dances the fine line between light-hearted innocent fare and classic raunchy comedy with a silly but endearing tale about growing up. Seth Rogen has taken the baton from Judd Apatow in producing engaging and uproarious black comedies. From