[SUNDANCE 2021] Ten Must-See Films at Sundance You Need to Check Out!

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The 2021 Sundance Film Festival kicks off this Thursday, January 28th and there’s a ton of great stuff on the docket. From the documentary debut of Edgar Wright, to the latest from Nicholas Cage and the fun that is the NEXT track of programming, aka Sundance Midnights. There are some films we rushed out to get tickets to and here are our 10 heavily awaited films to catch this weekend. Check them out and gear up for our coverage at CultFollowing.co and http://www.youtube.com/c/cultclassicsaz

1) CENSOR – Directed by Prano Bailey-Bond

“Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.”

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2) THE PINK CLOUD – Directed by Iuli Gerbase

“Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. With all their other interactions governed by screens, and with the strain of isolation setting in, Giovana and Yago struggle to reinvent themselves and reconcile the differences that threaten to tear them apart.”

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3) STRAWBERRY MANSION – Directed by Albert Birney

“In the not-too-distant future, an all-seeing surveillance state conducts “dream audits” to collect taxes on the unconscious lives of the populace. Mild-mannered government agent James Preble (Kentucker Audley) travels to a remote farmhouse to audit the dreams of Arabella “Bella” Isadora (Penny Fuller), an eccentric, aging artist. Entering Bella’s vast VHS archive, which contains a lifetime of dreams, Preble stumbles upon a secret that offers him a chance at love—and hope for escape.”

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4) KNOCKING – Directed by Frida Kempff

“What. Is. That. Noise. When Molly hears knocking coming from the ceiling in her new apartment, she naturally searches for the source. The upstairs neighbors don’t know what she’s talking about and dismiss her with cool indifference. Is this all in her mind? After all, she’s still processing a traumatic event that left her mentally unwell, and the unprecedented heat wave isn’t helping her think clearly. As the knocking intensifies and gives way to a woman’s cries, Molly becomes consumed with finding out the truth. Could it be Morse code? Is someone trapped? And more importantly, why doesn’t anyone care?”

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5) MOTHER SCMUCKERS – Directed by Lenny and Harpo Guit

“Two low-down, rotten brothers named Issachar and Zabulon are starving and can’t seem to scrounge up a meal anywhere. Things only get worse when they lose the beloved dog belonging to their mom, Cashmere, who kicks them out of the family apartment until they return her nippy little January Jack. Things are going to get uncomfortably bizarre with these two dopes on the run in the ruthless urban jungle of Brussels.”

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6) STREET GANG: HOW WE GOT TO SESAME STREET – Directed by Marilyn Agrelo

““Can you tell me how to get, how to get to Sesame Street?” Based on Michael Davis’s best-selling book of the same name, Marilyn Agrelo’s film Street Gang explores how creator Joan Ganz Cooney, original series director Jon Stone, and legendary Muppets creator Jim Henson—among other key talents—joined forces to create a children’s television show that would become a groundbreaking cultural phenomenon.”

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7) MASS – Directed by Fran Kranz

“Imagine the most dreaded, tense, and emotionally draining interaction you could find yourself in and multiply it by 10. That is exactly what two sets of parents—Richard (Reed Birney), Linda (Ann Dowd), Jay (Jason Isaacs), and Gail (Martha Plimpton)—are facing. Years after a tragedy caused by Richard and Linda’s son tore all their lives apart, Jay and Gail are finally ready to talk in an attempt to move forward.”

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8) SUPERIOR – Directed by Erin Vassilopoulos

“When Marian is on the run, she goes to the only place she knows is safe: her childhood home. She is greeted by her estranged sister, Vivian, a stay-at-home housewife struggling to conceive and on the verge of a failing marriage. Though the two are identical twins, they live opposite lives. Marian’s mysterious return disrupts Vivian’s small-town routine, and the sisters must learn to reconnect and reconcile. When Marian’s haunting past finally catches up to her, their separate worlds collide, catapulting both sisters into grave danger.”

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9) PRISONERS OF THE GHOSTLAND – Directed by Sion Sono

“In the treacherous frontier city of Samurai Town, a ruthless bank robber (Nicolas Cage) is sprung from jail by wealthy warlord The Governor (Bill Moseley), whose adopted granddaughter Bernice (Sofia Boutella) has gone missing. The Governor offers the prisoner his freedom in exchange for retrieving the runaway. Strapped into a leather suit that will self-destruct within five days, the bandit sets off on a journey to find the young woman—and his own path to redemption.”

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10) MAYDAY – Directed by Karen Cinorre

“An unusual storm is approaching, and it’s about to change everything for Ana (Grace Van Patten). After a short circuit at her workplace mysteriously transports her to an alternate world, she meets a crew of female soldiers caught in an endless war. Along a strange and rugged coastline, men face the stark truth lurking behind damsels who appear to be in distress. Under the leadership of Marsha (Mia Goth), Ana trains as a sharpshooter and discovers a newfound freedom in this uninhibited sisterhood. She soon senses she may not be the ruthless killer they expect, though, and time is running out for her to find a path home.”

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